Haegue Yang

Born in 1971 in Seoul, Korea
Lives and works in Berlin, Germany and Seoul, Korea


Bundeskunstsammlung, Germany
Bristol’s Museums, Galleries & Archives, Bristol, UK
BSI Art Collection, Lugano, Switzerland
Carnegie Museum of Art, Pittsburgh, USA
Explum, Murcia, Spain
Galerie für Zeitgenössische Kunst, Leipzig, Germany
Kulturstiftung des Bundes, Halle an der Saale, Germany
Kunsthalle Hamburg, Germany
Kunstmuseum Stuttgart, Germany
Leeum, Samsung Museum of Art, Seoul, Korea
Los Angeles County Museum of Art, Los Angeles, USA
Museum Ludwig, Cologne, Germany
Museum of Modern Art, New York, USA
Muzeum Sztuki, Lodz, Poland
National Gallery of Australia, Kamberri/Canberra, Australia
National Museum of Contemporary Art, Seoul, Korea
Neuer Berliner Kunstverein e.V., Berlin, Germany
Remai Modern Collection, Saskatoon, Canada
Solomon R. Guggenheim Museum, New York, USA
The Museum of Fine Arts, Houston, Texas, USA
Walker Art Center, Minneapolis, Minnesota, USA
Westfälisches Landesmuseum, Münster, Germany
Zabludowicz Collection, London, UK
Galerie für Zeitgenössiche Kunst, Leipzig, Germany

Solo Exhibitions

Leap Year, Hayward Gallery, London, UK
Flat Works 2004-2024, The Arts Club of Chicago, Chicago. USA
Mesmerizing Mesh – Paper Leap and Sonic Germination, Dépendance, Brussels, Belgium

Continuous Reenactments, HAM Helsinki Art Museum, Finland
Several Reenactments, S.M.A.K., Ghent, Belgium
Changing From From to From, National Gallery of Australia, Canberra, Australia
Quasi-Colloquial, Pinacoteca de Sao Paulo, Brazil
Forum for Drone Speech – Singapore Simulations, National Gallery Singapore, Singapore
Quasi-Legit, Smart Museum at the University of Chicago, USA

Mesmerizing Mesh – Paper Leap and Resonating Habitat, Galerie Chantal Crousel, Paris, France
Mesmerizing Mesh – Paper Leap and Sonic Guard, Galerie Barbara Wien, Berlin, Germany
Double Soul, Statens Museum for Kunst, Copenhagen, Denmark
Quasi-Legit, Smart Museum at the University of Chicago, USA
Forum for Drone Speech – Singapore Simulations, National Gallery Singapore, Singapore

Emergence, Art Gallery Ontario,Toronto, Canada*
Strange Attractors,Tate St Ives, UK*
The Cone of Concern, MCAD, Manila, Philippines
O2 & H2O,MMCA,Seoul,South Korea*
Dress Vehicles | Eclectic Totemic, Kurimanzutto, Mexico City, Mexico
Forum for Drone Speech – Singapore Simulations, National Gallery Singapore, Singapore

Forum for Drone Speech – Singapore Simulations, National Gallery Singapore, Singapore
Tracing Movements, South London Gallery, UK
Kukje Gallery, Seoul, South Korea *
Handles,The Museum of Modern Ar t (MoMA), New York, USA
In the Cone of Uncertainty,The Bass Museum of Art, Miami, USA *

Triple Vita Nestings, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Chronotopic Traverses, La Panacée, Montpellier, France
Tightrope Walking and its Wordless Shadow, La Triennale di Milano, Italy
Triple Vita Nestings, Institute of Modern Art (IMA), Brisbane, Australia
ETA 1994–2018, Museum Ludwig, Cologne, Germany
The VIP’s Union - Phase II, Surrender, Kunsthaus Graz, Graz, Austria

Galerie Chantal Crousel, Paris, France
The VIP’s Union - Phase I, Kunsthaus Graz, Graz, Austria
Silo of Silence - Clicked Core, Kesselhaus, KINDL – Zentrum für zeitgenössische Kunst, Berlin, Germany
Sol Lewitt Upside Down - Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E, Maison Hermès Dosan Park, Seoul, South Korea
Solo presentation, mezzaterra11 – flat gallery, Belluno, Italy
Haegue Yang – ornamento y abstracción, kurimanzutto, Mexico City, Mexico

Quasi-Pagan Seasonal Shift, Aïshti by the Sea, Antelias, Lebanon
Quasi-Pagan Modern, Galeries Lafayette, Paris, France
Lingering Nous, Centre Pompidou, Paris, France
12x12. Der IBB-Videoraum in der Berlinischen Galerie, Berlin, Germany
An Opaque Wind Park in Six Folds, Sonae | Serralves Commission 2016, Porto, Portugal
Quasi-Pagan Serial, Hamburger Kunsthalle, Hamburg, Germany
Quasi-Pagan Minimal, Greene Naftali, New York, USA

The Malady of Death: Écrire et Lire by Haegue Yang (staged reading), Mobile M+: Live Art, Hong Kong
Come Shower or Shine, It Is Equally Blissful, UCCA Ullens Center for Contemporary Art, Beijing, China
Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany
Sample Book, dépendance, Brussels, Belgium
Shooting the Elephant 象 Thinking the Elephant, Leeum, Samsung Museum of Art, Seoul, South Korea

Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston, USA

Anachronistic Layers of Dispersion, Henry Art Gallery, Seattle, USA
Honesty Printed on Modesty, Singapore Tyler Print Institute, Singapore
Journal of Echomimetic Motion, Bergen Konsthall, Bergen, Norway
Journal of Bouba/kiki, Glasgow Sculpture Studios, Glasgow, Scotland
Corrugated Totems with Glitter Dance, Vitrines sur l’Art - Museums of Strasbourg, Galeries Lafayette, Strasbourg, France
Family of Equivocations, Aubette 1928 and Museum of Modern and Contemporary Art, Strasbourg, France
Ovals and Circles, Galerie Chantal Crousel, Paris, France
Art Wall: Haegue Yang, The Institute of Contemporary Art, Boston, USA

Der Öffentlichkeit – von den Freunden Haus der Kunst, Haus der Kunst, Munich, Germany
Ajar, La Douane, Galerie Chantal Crousel, Paris, France
Roll Cosies, Kunsthalle Marcel Duchamp, Cully, Switzerland
The Tanks: Art in Action, Tate Modern, London, UK
Multi Faith Room, Greene Naftali, New York, USA
Haegue Yang, Rivane Neuenschwander, Overbeck-Gesellschaft, Lübeck, Germany

Two Winters, Presentation with Kukje Gallery at the M Building, Miami, USA
Escaping Things and Words, Haegue Yang, Rivane Neuenschwander, Kunsthalle Lingen, Lingen, Germany
The Art and Technique of Folding the Land, Aspen Art Museum, Aspen, Colorado, USA
The Sea Wall: Haegue Yang with an inclusion by Felix Gonzalez-Torres, Arnolfini, Bristol, UK
Teacher of Dance, Modern Art Oxford, Oxford, UK
Arrivals, Kunsthaus Bregenz, Bregenz, Austria

Voice and Wind, New Museum, New York, USA
Voice over Three, Artsonje Center, Seoul, South Korea
Closures, Galerie Barbara Wien, Berlin, Germany

Integrity of the Insider, Walker Art Center, Minneapolis, USA
Condensation, South Korean Pavilion, 53rd Venice Biennale, Venice, Italy

Symmetric Inequality, Sala Rekalde, Bilbao, Spain
Asymmetric Equality, REDCAT, Los Angeles, USA
Siblings and Twins, Portikus, Frankfurt am Main, Germany
Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg, Germany
Lethal Love, CUBITT, London, UK

Unpacking Storage Piece, Haubrokshows, Berlin, Germany
Foxed in the Forest, Dépendance, Brussels, Belgium
Remote Room, Galerie Barbara Wien, Berlin, Germany
Seven Basel Lights, Art Statements with Galerie Barbara Wien, Basel, Switzerland

Sadong 30, Incheon, South Korea
Unevenly, BAK, basis voor actuele kunst, Utrecht, Netherlands

Cremer-Preis, LWL – Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany

Kasse, Shop, Kino und Weiteres, Hessisches Landesmuseum, Darmstadt, Germany
Unfolding, Dépendance, Brussels, Belgium
Alterity Display, Lawrence O’Hana Gallery, London, UK
Unfolding Places, Galerie Barbara Wien, Berlin, Germany

Unrealistic to Generalize, Public>, Paris, France

Air and Water, Dresdner Bank, Frankfurt am Main, Germany

Sonderfarben, Kommunale Galerie, Darmstadt, Germany

Blaue Wiese – Farbige Sprache, Künstlerhaus Mousonturm, Frankfurt am Main, Germany
Bejahung und Verneinung, Kolster, Galerie für junge Kunst, Frankfurt am Main, Germany
Lacquer Paintings 2000, Galerie Barbara Wien, Berlin, Germany

Hamburgefonstiv, 1822 Forum der Frankfurter Sparkasse, Frankfurt am Main, Germany

rraum, Frankfurt am Main, Germany

Group Exhibitions

Forms of the Shadow, Secession, Vienna, Austria
Ring of Fire – Solar Yang & Lunar Weerasethakul, Matabe, Naoshima, Japan
Pannaphan Yodmanee, Zul Mahmod, Amanda Heng, and Haegue Yang – Benesse Price awardees from 2016 to 2022, Benesse House Museum, Naoshima, Japan
Illusions of Life, Museum of Modern Art, New York, USA
Ich sehe was, was Du nicht siehst. Works from the Bergmeier Collection, Kunstsaele/Alien Athena Foundation for Art, Berlin, Germany
Le Jardin : incantation – incarnation, FRAC Champagne-Ardenne, Reims, France

The Open World, Thailand Biennale 2023, Chiang Rai,Thailand
Dialogues: Saastamoinen Foundation Art Collection Exhibition, EMMA, Espoo, Finland
Portals & Omens: New Work from the Collection, Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand
The Great Forgetfulness, National Sculpture Factory, Cork, Ireland
The Collection: Dialogues. Volume 2: Time is an Illusion, Collegium, Calle de la Alhóndiga, Arévalo, Spain
Performa Biennial 2023, New York City, USA
Aranya Plein Air Art Project, Aranya, Jin Shan Ling, China
Vielheit. Stories from the postmigrant society, Kunst Meran, Merano, Italy
The Collection, Curated by Krist Gruijthuijsen, FAHRBEREITSCHAFT / Haubrok Foundation, Berlin, Germany
Drum Listens to Heart (Part III), CCA Wattis Institute for Contemporary Arts, San Francisco, USA
World Classroom: Contemporary Art Through School Subjects, Mori Art Museum, Japan

In Our Veins Flow Ink and Fire, Fifth edition of the Kochi-Muziris Biennale, Kochi, India
Natasha, Singapore Biennale, Singapore*
Sound as sculpture, the Warehouse (Rachofsky House), Dallas, United States
Open Up!: Korea-China Online Exchange Exhibition, KOFICE (online)
Welt in der Schwebe. Luft als künstlerisches Material, Kunstmuseum Bonn, Bâle, Switzerland
Museum in Motion, Museum of Contemporary Art, Antwerp, Belgium
Monochrome Multitudes, Smart Museum at the University of Chicago, USA
Do we dream under the same sky, Okayama Art Summit, Japan
Checkpoint. Border Views From Korea, Kunstmuseum Wolfsburg, Germany*
Creating Urgency: Modern and Contemporary Korean Art,The Cleveland Museum of Art, Cleveland, USA
Planet B: Climate Change and the New Sublime, Palazzo Bollani,Venice, Italy
Moved by Schlemmer.100Years ofTriadic Ballet,Staatsgalerie Stuttgart,Germany
Shifting the Silence, SFMoMA, San Francisco, USA

Found Space, M+, Hong Kong, Hongkong
Sound as Sculpture, The Warehouse, Dallas, USA
The Voice of Things, Shanghai Centre Pompidou × West Bund Museum Galleries 1 & 2, Shanghai, People‘s Republic of China
The Lines Fall Where They May, STPI, Singapore
To Have and to Share – who owns the collection?, Galerie für Zeitgenössische Kunst, Leipzig, Germany
The Paradox of Stillness:Art,Object,and Performance,WalkerArt Center,Minneapolis,USA
GLOBAL GROOVE. Art, Dance, Performance and Protest, Museum Folkwang, Essen, Germany
Expo 2020 Dubai, UAE
EURASIA – A Landscape of Mutability, M HKA, Antwerp, Belgium

Kunst ⇆ Handwerk. Zwischen Tradition, Diskurs und Technologien, Kestner Gesellschaft, Hannover, Germany
Kunst ⇆ Handwerk, Galerie für Zeitgenössische Kunst, Leipzig, Germany
Pine’s Eye, Talbot Rice Gallery, Edinburgh, UK
Out of Order - Works from the Haubrok Collection, Neues Museum, Nuremberg, Germany
The Paradox of Stillness, Walker Art Center, Minneapolis, USA
Noire Lumière, HOW Art Museum Shanghai, China

Outbound, National Gallery Singapore
Four Times Sol LeWitt Upside Down, Version Point to Point, Remai Modern, Saskatoon, Canada
Again and Against, Hamburger Kunsthalle, Germany
Homo Faber: Craft in Contemporary Sculpture, Asia Culture Center, Gwangju, South Korea
Less is a Bore: Maximalist Art & Design, Institute of Contemporary Art, Boston , USA
Work, Work, Work, Gallery of Modern Art, Brisbane, Queensland, Australia
Art Encounters Biennial 2019, Timisoara, Romania
Hidden Beauty, Kunsthalle Nürnberg, Germany
Arts_Crafts, Kunsthaus Graz, Austria
The Seventh Continent, 16th Istanbul Biennial, Turkey
Mere Constructions, Kanal - Centre Pompidou, Brussels, Belgium
And Berlin Will Always Need You. Kunst, Handwerk und Konzept Made in Berlin, Gropius Bau, Berlin, Germany
An Opera for Animals, Para Site, Hong Kong
40.000. Ein Museum der Neugier, Triennale Kleinplastik Fellbach 2019, Germany
Big Orchestra, an Exhibition of Contemporary Music Sculptures, Schirn Kunsthalle, Frankfurt am Main, Germany

der grosse Anspruch des kleinen Bildes, Galerie Barbara Wien, Berlin, Germany
Minimalism: Light. Space. Object, National Gallery Singapore (November)
Wild West, Foundation De 11 Lijnen, Oudenburg, Belgium
Suspension – A History of Abstract Hanging Sculpture. 1918–2018, Palais d’Iéna, Paris, France
The World on Paper, Deutsche Bank Collection, PalaisPopulaire, Berlin, Germany
Abenteuer Freundschaft, Kunstsaele Berlin, Germany
The World to Come: Art in the Age of the Anthropocene, Harn Museum of Art, University of Florida, Gainesville, USA
Beautiful world, where are you?, Liverpool Biennial 2018, Tate Liverpool, UK
A Time Capsule Revisited: A New Installation of Works Made by Women for Parkett (1984-2017), The New Temporary Parkett Exhibition Space, Zurich, Switzerland
Superposition: Equilibrium & Engagement, 21st Biennale of Sydney, Australia
Enchanted Bodies, GAMeC, Bergamo, Italy
Kill Mother, DISKURS Berlin, Germany
GMoMA Collection Highlights, Gyeonggi Museum of Modern Art, Ansan, South Korea
Deutschland ist keine Insel, Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland. Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
ReCycle, Galerie Chantal Crousel, Paris, France
Generations: Künstlerinnen im Dialog Part 1, Sammlung Goetz, Munich, Germany

Again and Against, Hamburger Kunsthalle, Hamburg, Germany
The Trick Brain, Aishti Foundation, Antelias, Lebanon
Beyond the Box. Sammlung Dohmen, Leopold-Hoesch-Museum, Düren, Germany
Field Guide, Remai Modern, Saskatoon, Saskatchewan, Canada
The vague Space. Sammlung Christian Kaspar Schwarm, Weserburg - Museum für Moderne Kunst, Bremen, Germany
WheredoIendandyoubegin - On Secularity, 9th Göteborg International Biennial for Contemporary Art, Göteborg, Sweden
Children’s Games, ADN Collection, Bolzano, Italy
Artists against Aids 2017, Bundeskunsthalle, Bonn, Germany
Duett mit Künstlerin, Museum Morsbroich, Leverkusen, Germany
Medusa – Bijoux et tabous, Musée d’Art Moderne de la Ville de Paris, France
MIDTOWN, organized by Maccarone, Salon 94 Design, and Salon 94, Lever House, New York, USA
Haegue Yang: Sol LeWitt Upside Down – Cube Structures Based on Five Modules, Central One Expanded 184 Times, Another Expanded 66 Times then Doubled and Mirrored #81-E, Maison Hermès Dosan Park, Seoul, South Korea
Wherever the Wind Carries, Lundskonsthall, Lund, Sweden
Building As Ever. OCMA - California Pacifics Triennial, Orange County Museum of Arts, Newport Beach, California, USA
Lesson Ø, National Museum of Modern and Contemporary Art, Gwacheon, South Korea
Duddell’s x Biennale of Sydney, Abstraction of the World, Duddell’s, Hong Kong, China
Soil and Stones, Souls and Songs, Para Site, Hong Kong, China
Condo, dépendance at Maureen Paley, London, UK

Beyond Space, Leeum, Samsung Museum of Art, Seoul, South Korea
Heterotopias. Avant-gardes in Contemporary Art, Museum of Modern and Contemporary Art & Aubette 1928, Strasbourg, France
Looks Good on Paper, STPI, Singapore
AD Intérieurs 2016,The collector’s world, Monnaie de Paris, France
Idiosyncrasy: Anchovies Dream of an Olive Mausoleum, Helga de Alvear Foundation, Cáceres, Spain
Das Loch, Künstlerhaus Bremen, Germany
Le Grand Balcon (The Grand Balcony), La Biennale de Montréal, Canada
The Malady of Death – Monodrama with Irene Azuela,Yucatan, Mexico (in collaboration with kurimanzutto)
Exquisite Corpse,TMR a|s HUB: Galerie Chantal Crousel, Los Angeles, USA
Public to Private: Photography in Korean Art since 1989, National Museum of Modern and Contemporary Art, Seoul, South Korea
Presently, neugerriemschneider, Berlin, Germany
: door / by gerlach en koop, Bonnefantenmuseum Maastricht, Netherlands
Daily Formalism, Mabsociety, Shanghai, China
Yoko Ono: Lumière de l’Aube,The Museum of Contemporary Art Lyon, Lyon, France
MashUp:The Birth of Modern Culture,Vancouver Art Gallery,Vancouver, Canada
kurimanzutto travels to Jessica Silverman Gallery: from here to there, Jessica Silverman Gallery, San Francisco, USA

The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia
Office Space, Yerba Buena Center for the Arts, San Francisco, USA
Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA
Remember Lidice, Edition Block, Berlin, Germany
La vie moderne, 13th Biennale de Lyon, Lyon, France
After Babel, Moderna Museet, Stockholm, Sweden
As We Never Imagined. 50 Years of Art Making, Singapore Tyler Print Institute, Singapore
Future Light, Vienna Biennale 2015, Museum für angewandte Kunst (MAK), Vienna, Austria
Absolute Collection Guideline, Sifang Art Museum, Nanjing, China
Works on Paper, Greene Naftali Gallery, New York, USA
Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA
Suppleness and Rigidity – The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany
Feminisms, Nordsternturm Videoart Center, Gelsenkirchen, Germany
About Colour, Kunsthaus Wiesbaden, Wiesbaden, Germany
Fiber: Sculpture 1960-present, Des Moines Art Center, Iowa, USA
The past, the present, the possible, Sharjah Biennale 12 (SB12), Sharjah, United Arab Emirates
Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA
Fit for Purpose, Kunsthaus Glarus, Zurich, Switzerland
Fiber: Sculpture 1960-present, Wexner Center for the Arts, Ohio, USA

Fiber: Sculpture 1960-present, ICA, Boston, USA
Double Life, Contemporary Arts Museum Houston, USA
Collage art – Weaving Stories Blending Images, Gyeonggi Museum of Modern Art, Ansan, South Korea
Einknicken oder Kante zeigen? Die Kunst der Faltung, MKK Ingolstadt, Germany
Music Palace, the power of music seen by visual artists, Villa Empain, Brussels, Belgium
Follies, manifold: GABRIEL LESTER – HAEGUE YANG, Bonner Kunstverein, Bonn, Germany
The Great Acceleration, Taipei Biennial 2014, Taiwan
Ghosts, Spies, and Grandmothers, SeMA Biennale Mediacity Seoul 2014, Seoul, South Korea
Light Night, Wallspace, New York, USA
Histories I – Works from the Serralves Collection, Fundação de Serralves, Porto, Portugal
The Part In The Story Where A Part Becomes A Part of Something Else, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
Don’t You Know Who I Am? Art After Identity Politics, Museum van Hedendaagse Kunst Antwerpen, Antwerpen, Belgium
Objectology - Design and Art, National Museum of Modern and Contemporary Art (MMCA), Seoul, South Korea
KUB Sammlungsschaufenster. Neuerwerbungen von Ai Weiwei bis Zobernig, Kunsthaus Bregenz, Austria
Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium
Salon Distingué – Hausrat in guter Gesellschaft, Museum Langmatt Baden, Switzerland
The Hawker, Dépendance at Carlos/Ishikawa, London, UK

Nachbilder, Galerie für Zeitgenössische Kunst, Leipzig, Germany
GDR GOES ON - Ljubljana, CasCo, Office for Art, Design and Theory, Utrecht, Netherlands
Coming to Terms, Jackman Humanities Institute, University of Toronto, Canada
La Tyrannie des Objets, La Galerie des Galeries, Paris, France
Utopie beginnt im Kleinen, Kleinplastik Triennial, Fellbach, Germany
15 for 150: 15 contemporary artists mark 150 years of the Tube, London Underground, London, England
Vielleicht sehe ich auch zu tief in die Dinge hinein, Overbeck-Gesellschaft, Lübeck, Germany
I KNOW YOU, Museum of Modern Art Ireland, Dublin, UK
Vom Eigensinn der Dinge, KAI10/Raum für Kunst. Arthena Foundation, Düsseldorf, Germany
Who is Alice?, Spazio Lightbox, Cannaregio 3831, Venice, Italy
Nur hier. Sammlung zeitgenössischer Kunst in der Bundesrepublik Deutschland. Eine Auswahl der Ankäufe von 2007 bis 2011, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, Germany
Kuratorenreihe der Riemschneider-Stiftung an der Staatlichen Akademie der Bildenden Künste
New & NOW, Seoul Museum of Art, Seoul, South Korea
How to write I, Galerie Wien Lukatsch, Berlin, Germany
The Grand Domestic Revolution GOES ON, Centre for Contemporary Art, Derry-Londonderry, UK
Karlsruhe Mit Marius Babias, Neuer Berliner Kunstverein, Staatliche Akademie der Bildenden Künste Karlsruhe, Karlsruhe, Germany
The Order of Things: Cinematic Moments, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
Confusion in the Vault, Museo Jumex, Mexico City, Mexico
You promised me, and you said a lie to me, Anna Schwartz Gallery, Sydney, Australia
Echo Release, Nassauischer Kunstverein Wiesbaden, Berlin, Germany
Unknown Forces – Gestures beyond Surfaces, Tophane-I Amire Culture and Arts Center, Istanbul, Turkey
Dog Days II, MOTInternational, London, England
The Collection, 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, USA

360°: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany
No Borders, Bristol Museum & Art Gallery, Bristol, UK
Dislocation, Daegu Art Museum, Daegu, South Korea
Lieber Aby Warburg. Was tun mit Bildern? Museum für Gegenwartskunst Siegen, Siegen, Germany
Dream Walking in the Magical reality, National Museum of Contemporary Art, South Korea
West China Art Biennale, TianYe Art Museum,Yinchuan, China
Inside Out and from the Ground Up, Museum of Contemporary Art Cleveland (MOCA), Cleveland, USA
No Desaster, Sammlung Haubrok Bei Falkenberg, Hamburg, Germany
The Spiral and the Square. Exercises in Translatability, SKMU, Sørlandets Kunstmuseum, Kristiansand, Norway
Annual collection show, Leeum, Samsung Museum of Art, Seoul, South Korea
15 Jahre Galerie der Gegenwart, Galerie der Gegenwart, Hamburger Kunsthalle, Hamburg, Germany
If there would be a face, this would be a cat, Dependence, Brussels, Belgium
Intérieur jour, La Douane, Galerie Chantal Crousel, Paris, France
Sense and Sustainability. Urdaibai Art 2012, Urdaibai Natural Reserve, Gernika, Bermeo, Spain
Troubling Space: The Summer Sessions, The Zabludowicz Collection, London, UK
Superbody, Galerie Chantal Crousel, Paris, France
Soundworks, Institute of Contemporary Arts, London, UK
dOCUMENTA (13), Kassel, Germany
Orchesterwechsel – 10 Jahre Sammlung Rheingold, Schloss Dyck, Jüchen, Germany
An Exhibition of a Study on Knowledge, Forum Stadtpark, Graz, Austria
The Touch of Life, Galerie Anita Beckers, Frankfurt am Main, Germany
Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm, Sweden
How Physical, The Yebisu International Festival for Art & Alternative Visions 2012, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
DLA Was / For You, Muzeum Sztuki, Lodz, Poland

City within the City, Artsonje Center, Seoul, South Korea
The Grand Domestic Revolution - User’s Manual, Casco Projects, Utrecht, Netherlands
Monument Valley (Jaegerspris revisited - a Hommage to Johannes Wiedewelt), UFO, Berlin, Germany
Berlin 2000-2011, Museum of Contemporary Art Tokyo, Tokyo, Japan
D’un autre Monde, Le Printemps de Septembre, Toulouse, France
Kunst und Philosophie, n.b.k. – Neuer Berliner Kunstverein, Berlin, Germany
The Spiral and the Square. Exercises on Translatability, Bonniers Konsthall, Stockholm, Sweden
Tell Me Tell Me: Australian and Korean Art 1976-2011, National Art School Gallery, Sydney, Australia
Folding: The Art of Simplicity, KCDF Gallery, Seoul, South Korea
Open Days, Le Consortium, Dijon, France
Nach Abschluss der Reise, Kunst-Werke, Berlin, Germany
Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles, USA
Air Hole: Another Conceptualism from Asia, The National Museum of Art, Osaka, Japan

Watchmen, Liars, Dreamers, Le Plateau, Frac Île-de-France, Paris, France
10000 Lives, 8th Gwangju Biennale, Gwangju, South Korea
Workers Leaving the Workplace, Muzeum Sztuki, Lodz, Poland
The Pursuer, Greene Naftali Gallery, New York, USA
The New Décor, Hayward Gallery, London, UK (traveled to: Garage CCC – Center for Contemporary Culture, Moscow, Russia)
Like Eskimo Space, 1857, Oslo, Norway
Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin, Germany
Open Light in Private Spaces, Biennale for International Light Art Ruhr.2010, Unna, Germany
After Architects, Kunsthalle Basel, Basel, Switzerland
Intro Motion Ditch, Art Sheffield, S1 Artspace, Sheffield, UK
Self as disappearance, Centre d’Art Contemporain, La Synagogue de Delme, Delme, France
Oh! Masterpieces, Gyeonggi Museum of Modern Art, Ansan, South Korea

Under Cover I, Galerie Barbara Wien, Berlin, Germany
From the Gathering, Helen Pitt Gallery, Vancouver, Canada
Horizontale Durchlässigkeiten, Alte Fabrik, Rapperswil, Switzerland
Monument to Transformation, City Gallery Prague, Prague, Czech Republic (traveled to: Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain)
Sequelism Part 3: Possible, Probable, or Preferable Futures, Arnolfini, Bristol, UK
Everything, then, passes between us, Kölnischer Kunstverein, Cologne, Germany
Your Bright Future: 12 Contemporary Artists from Korea, LACMA – Los Angeles County Museum of Art, Los Angeles, USA (traveled to: The Museum of Fine Arts, Houston, USA)
Making Worlds, 53rd International Art Exhibition, Venice Biennale, Venice, Italy
Pop Up!, Ludwig Forum für Internationale Kunst, Aachen, Germany
Assume Nothing: New Social Practice, Art Gallery of Greater Victoria, Victoria, Canada

If we can’t get it together, The Power Plant, Toronto, Canada
27 november – 21 january, 2009, Dépendance, Brussels, Belgium
50 Moons of Saturn, 2nd Torino Triennale, Turin, Italy
Zeitblick. Ankäufe der Sammlung Zeitgenössische Kunst der Bundesrepublik Deutschland 1998-2008, Martin-Gropius-Bau, Berlin, Germany
Pontos de Vista, Galeria Mata, Inhotim, Brumadinho, MG, Brasil
Farewell to Post-Colonialism, The 3rd Guangzhou Triennial, Guangzhou, Guangdong, China
Eurasia. Geographic cross-overs in Art, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
LESS, haubrokshows, Berlin, Germany
Life On Mars, 55th Carnegie International, Pittsburgh, USA
Open / Invited e v+ a 2008 – too early for vacation, e v+ a – exhibition of visual art, Limerick, Ireland
Der grosse Wurf – Faltungen in der Gegenwartskunst, Museum Haus Lange / Kaiser Wilhelm Museum, Krefeld, Germany
Von dem was dann noch bleibt, Nassauischer Kunstverein, Wiesbaden, Germany
Wessen Geschichte, Kunstverein Hamburg, Hamburg, Germany

Anyang Public Art Project (APAP), Anyang, South Korea
Off Pages, The Bookmakers SQ.MT., Turin, Italy
If I can’t dance, I don’t want to be part of your Revolution, Edition II, Episode IV: Feminist Legacies and Potentials in Contemporary Art Practice, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
Tomorrow, Artsonje Center & Kumho Museum, Seoul, South Korea
Brave New Worlds, Walker Art Center, Minneapolis, USA (traveled to: Fundación/Colección Jumex, Mexico City, Mexico)
Something Mr. C can’t have, KIAF, Coex Hall, Seoul, South Korea
Micro Narratives, 48th October Salon, Belgrade, Serbia
Virtuoso Interpretor – Formalismus als Formalismuskritik, Cluster, Berlin, Germany
RE-DIS-PLAY – Nicht-Kunst-Sammlungen von Künstlern und Kuratoren, Heidelberger Kunstverein, Heidelberg, Germany
Flash Cube, Leeum, Samsung Museum of Art, Seoul, South Korea
Imagine Action, Lisson Gallery, London, UK
Made in Germany, Kestnergesellschaft, Hannover; Sprengel Museum, Hannover and Kunstverein Hannover, Hannover, Germany
PRAGUE BIENNALE 3, Prague, Czech Republic
Brennschluss, Galerie Andreas Huber, Vienna, Austria
Kunstpreis der Böttcherstrasse 2007, Kunsthalle Bremen, Bremen, Germany
Dependance at Galerie Neu, Galerie Neu, Berlin, Germany
Modelle für Morgen: Köln, European Kunsthalle, Cologne, Germany
Mandla Reuter, Haegue Yang, Flaca, London, UK
Break through to Grey Room, Casabarata, Kasbah Museum, Tangier, Morocco
STADTanSICHTen. Seoul: Räume, Menschen, ifa-Galerie Stuttgart, Germany (traveled to: ifa-Galerie Berlin, Institut für Auslandsbeziehungen, Berlin, Germany)

Political Design, Design of Politics, Zero One Design Centre, Seoul, South Korea
Personal Affairs. Neue Formen der Intimität, Museum Morsbroich, Leverkusen, Germany
If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, Edition II: Feminist Legacies and Potentials in Contemporary Practice, De Appel, Amsterdam, Netherlands
Como Viver Junto – How to Live Together, 27. Biennale São Paulo, São Paulo, Brazil
Pigment Piano Marble, Maipú, Buenos Aires, Argentina
Haubrokworks – Sounds of Silence, Galerie Gisela Capitain, Cologne, Germany

Lichtkunst aus Kunstlicht, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Punkt und Linie, Fläche und Raum, Overbeck-Gesellschaft, Lübeck, Germany
Schnur im Nebel, Doppelzimmer, Gießen, Germany

Steaming away from the Places, Sangmyung University Museum, Seoul, South Korea
D-Freezone. Site 2: Korean Express, in the frame of 5th Gwangju Biennale, Gwangju, South Korea
This is not a Love Letter, Marronnier Art Center (currently: Arko Art Center), Seoul, South Korea
Black Friday. Exercises in Hermetics, Galerie Kamm, Berlin, Germany
Liquidation totale, Dépendance, Brussels, Belgium
XS: An Invitational Exhibition, f a projects, London, UK
Documents, Seoul Metropolitan Museum of Arts (currently Seoul Museum of Art), Seoul, South Korea
Chasm, 3rd Busan Biennale, Busan, South Korea
Mix Max, Artsonje Center, Seoul, South Korea

From Dust to Dusk – International Exhibition of Contemporary Art, Kunsthal Charlottenborg, Copenhagen, Denmark
Hermès Korea Missulsang, Artsonje Center, Seoul, South Korea
Make It New, Portikus in Kooperation mit Dresdner Kleinwort Wasserstein, Frankfurt am Main, Germany
Demirrorized Zone, De Appel, Amsterdam, Netherlands
Türme Babylons, Landesmuseum Mainz, Mainz, Germany

Subtiles Élégances, La Galerie, Centre d’art contemporain, Noisy-le-Sec, France
The Fall, Galleri Christina Wilson, Copenhagen, Denmark
Kunst und Technik, Mannheimer Kunstverein, Mannheim, Germany
Cité des Ondes, Cienquième Manifestation Internationale Vidéo et Art Électronique, Champ Libre, Montreal, Canada
40 Jahre: Fluxus und die Folgen, Wiesbadener Kunstsommer, Wiesbaden, Germany
Manifesta 4, European Biennial of Contemporary Art, Frankfurt am Main, Germany
P_A_U_S_E, 4th Gwangju Biennale, Gwangju, South Korea
New Tendencies in Korean Art: Paradise Among Us, Marronnier Art Center (currently: Arko Art Center), Seoul, South Korea
Blink, Artsonje Center, Seoul, South Korea
Kunstpreis der Deutschen Volksbanken und Raiffeisenbanken, Kunst-Werke, Berlin, Germany
Ssamzie Studio 3, Ssamzie Space, Seoul, South Korea

1 Site – 2 Places, project room, Galerie der Stadt Sindelfingen, Sindelfingen, Germany
KunstPraxis, Siemens Arts Program, Munich, Germany
Invisible Touch, Artsonje Center, Seoul, South Korea
We’re not here to give you pleasure, rraum 02, Frankfurt am Main, Germany (traveled to: rraum 03, Protoacademy, Edinburgh, UK; G39, Cardiff, UK; Galerie Art & Essai, Rennes, France)
VIP’s Union, VIP Lounge, 6th Art Forum Berlin, Berlin, Germany
Tirana Biennale 1: Escape, Tirana, Albania
Zu Gast, Bellevue-Saal, Wiesbaden, Germany
Frankfurter Kreuz: Transformationen des Alltäglichen in der zeitgenössischen Kunst, Schirn Kunsthalle, Frankfurt am Main, Germany
Lunchtime of Necktie Force, The Posco Museum, Seoul, South Korea

Art or Design, Seoul Arts Center, Seoul, South Korea
Café Helga & Galerie Goldankauf, Kunstraum München, Munich, Germany
Anno Zero, Cittadellarte – Fondazione Pistoletto, Biella, Italy

Stuttgart, 17.7.1956 – Salem (Wis.)/USA, 3.3.1977, Portikus, Frankfurt am Main, Germany
Seoul in Media: Food, Clothing, Shelter, Seoul Museum of Art, Seoul, South Korea
Where I Am, Lisbon World Exposition, Galeria Municipal da Mitra, Lisbon, Portugal
I-20, with Caroline Krause, Galerie Konstantin Adamopoulos, Frankfurt am Main, Germany

Selected Bibliography

In the Cone of Uncertainty. Kat. (Engl.). Texte von Silvia Karman Cubiñá, Leilani Lynch & Philippe Vergne. 112 S., 72 farb. Abb., 28x21,5, brosch.. Berlin 2019

When the Year 2000 Comes. (Korean/Engl.) Hrsg. v. Heijeong Yoon, Texte von Jinshil Lee und Walter-Wolfgang Sparrer, 70 S., zahlreiche farb. Abb., 20 seitiges herausnehmbares Inlay mit Text auf koreanisch & englisch, 28x22, Drahtheftg.. Seoul 2019

Anthology 2006–2018. Tightrope Walking and Its Wordless Shadow
Kat. (Engl./Ital.). Texts and conversations by Lars Bang Larsen, Ute Meta Bauer, Nicolas Bourriaud, Binna Choi, Doryun Chong, T. J. Demos, Yilmaz Dziewior, Patricia Falguières, Eungie Joo, Tom McDonough, Bruna Roccasalva, Bart van der Heide and
Anne M. Wagner. 442 S., 129 s/w und 63 farb. Abb., 24x16,5, Ppdg.. Mailand 2018.

Haegue Yang - Chronotopic Traverses / Traversée Chronotopique
English, French. Texts by Nicolas Bourriaud and Haegue Yang. Edited by Nicolas Bourriaud and Haegue Yang. Published by Bom Dia Boa Tarde Boa Noite on the occasion of Haegue Yang’s solo exhibition at La Panacée-Moco in Montpellier. Designed by Studio Manuel Raeder. 275 x 210 mm, 80 pages, color illustrations, softcover, 2018

Haegue Yang - VIP’s Union 2001-2018
English. Edited by Barbara Steiner and Haegue Yang. Published by Bom Dia Boa Tarde Boa Noite on the occasion of Haegue Yang’s nine-month presentation of VIP’s Union at Kunsthaus Graz. 23 x 18.5 cm, 176 pages, color and b/w illustrations, softcover, 2018.

ETA. Catalogue Raisonné 1994-2018
(Dt./Engl.). Hrsg. v. Yilmaz Dziewior. Einführung v. Chus Martínez, Gespräch zw. Yilmaz Dziewior & Haegue Yang,
Text v. Leonie Radine. 416 S., 2200 farb. Abb., 31x26, Ln.. Köln 2018 58,-

ETA 1994-2018
(Dt./Engl.). Hrsg. v. Carla Cugini. Vorwort v. Mayen Beckmann & Yilmaz Dziewor. Texte v. Yilmaz Dziewor & Christina Végh. 87 S., 30 doppelseitig. farb. Abb. der Ausstellung im Museum Ludwig, 25x18, brosch.. Köln 2018

Grid Bloc - Six Folds
In Zusammenarbeit mit Jeong Hwa Min. 96 S., einseitig bedruckt, 29,7x32, Klebebindung.
Fond für Cover: Wolfgang Breuer. Aufl. 500 Exx., Berlin 2018

Grid Bloc – Five Folds
In Zusammenarbeit mit Jeong Hwa Min. 72 S., einseitig bedruckt, 29,7x32, Klebebindung.
Fond für Cover: Wolfgang Breuer. Aufl. 700 Exx., Berlin 2017

Lingering Nous
Kat. (Engl./Franz.). Hrsg. v. Franck Gautherot & Haegue Yang. Vorwort v. Serge Lasvignes & Bernard Blistène, Texte v. Nicolas Liucci-Goutnikov, Tom McDonough & Haegue Yang. 160 S., zahlr. farb. Abb., 27x21, Ln.. Paris 2017

Haegue Yang. Grid Bloc – Four Folds
In collaboration with Jeong Hwa Min, 29,7x32, 96 pages, in form of a tear-off pad. Berlin 2016
Artists book by Haegue Yang in form of a tear-off pad. "Grid Bloc Four Folds" is the third publication in the book series by Haegue Yang. The series started with "Grid Bloc" in A4 format in 2000. It was followed by "Grid Bloc A3", in collaboration with Jeong Hwa Min.

Haegue Yang. An Opaque Wind
English/Arabic, 17 x 25 cm, 144 pages, softcover
Essay by Eungie Joo, designed by Studio Manuel Raeder, Berlin 2016

An Opaque Wind Park In Six Folds
Kat (Port./Engl.). Texte von Suzanne Cotter, 120 S.,
zahlr. s/w und farb. Abb., 30x23, brosch.. Porto 2016

Haegue Yang. Shooting the Elephant 象 Thinking the Elephant
Kat. (Engl./Korean.). Hrsg. v. Leeum, Samsung Museum of Art, Seoul & Studio Haegue Yang. Texte v. Nicolas Bourriaud, Sungwon Kim, Haegue Yang. Approx. 200 p., with full illustration of new series and exhibited works. Design by Jinyeol Jung. Seoul 2015

Dare to Count Phonemes and Graphemes.
Kat. (Engl.). Hrsg. v. Glasgow Sculpture Studios & Bergen Kunsthall. Texte v. Ute Meta Bauer, Kathy Noble; Haegue Yang interviewed by Kyla McDonald & Steinar Sekkingstad. 202 S., zahlr. Abb., 25x17,5, brosch. mit offener Fadenheftg.. Berlin 2013

Honesty printed in Modesty.
Kat. (Engl.). Hrsg. v. STPI Singapore. Texte v. H.G Master, June Yap & Haegue Yang. 215 S., zahlr. Abb., verschied. Größen (26x20 max.), geschraubt. Singapore 2013

Grid Bloc A3.
In collaboration with Jeong Hwa Min.
48 S., komplett gestaltet, A3, Klebebindung. 1.000 Exx.. Wiens Verlag Berlin 2013

Bathroom Contemplation. How to write 4 – Künstler, die schreiben | artists who write.
Publikationsreihe mit Künstlertexten. (Dt./Engl.).
24x17, 16 S., Klammerhftg oder brosch. Auflage je 330 numerierte Exemplare. Wiens Verlag, Berlin 2013

Accommodating the Epic Dispersion – On Non-Cathartic Volume of Dispersion.
Kat. (Dt./Engl.). Hrsg. v. Haus der Kunst, München & Julienne Lorz. Texte v. Okwui Enwezor, J. Lorz & ein Interview von T.J. Demos mit Haegue Yang. 96 S., 31 Abb., 24x17, brosch.. Köln 2013

Family of Equivocations.
Kat. (Engl./Frz.). Hrsg. v. L’Aubette & Musée d’Art moderne Strasbourg. Texte v. Patricia Falguières, Camille Giertler & ein Interview v. Estelle Pietrzyk mit Yang. 288 S., 200 Abb., 34x18,5, Ppdg.. Straßburg 2013

Wild against Gravity.
Kat. (Engl.). Hrsg. v. Modern Art Oxford & Aspen Art Museum (Ryan Shafer & Emily Smith). Kataloggestaltung Manuel Raeder. Texte v. Heidi Zuckerman Jacobson, Anne M. Wagner, Julian Stallabrass, Katharina Schwerendt. Interview v. Emily Smith, H. Zuckerman Jacobson & Michael Stanley mit Haegue Yang. 192 S., zahlr. Abb., 23,5x19, Ppdg.. Aspen, Oxford 2011

Integrity of the Insider / Paper Control.
Kat. (Engl.). Hrsg. v. Walker Art Center, Minneapolis (Pamela Johnson & Kathleen McLean). Kuratiert v. Doryun Chong und Andria Hikey.Text v. Andria Hickey, Marcus Steinweg, Sarah Peters u.a.. 20 S. und 1 Booklet (Din A3 mit einem Interview von Clara Kim mit Yang), Din A4, Klammerheftg., und gefaltet. Minneapolis 2011

Kaleidoscope - a contemporary magazine.
Issue 10 / Spring 2011. (Mono mit Haegue Yang. (Engl.). Mit einem großen Spezialteil zu Haegue Yang mit einem Text v. Bart van der Heide, Joanna Fiduccia & einem Interview v. Yasmil Raymond mit Haegue Yang. Außerdem Texte v. Marina Vishmidt, Nav Haq, Binna Choi u.a.. 184 S., 28,5x22, brosch.. Mailand 2011

Arrivals. Werkverzeichnis 1994-2011.
Kat. (Dt./Engl.). Hrsg. v. Kunsthaus Bregenz, Yilmaz Dziewior. Interview v. Yilmaz Dziewior mit Haegue Yang, Text v. Anders Kreuger & Marina Vishmidt. Werk-verzeichnis zusammengestellt v. Katharina Schwerendt. 352 S., 700 farb. Abb., 23,5x18,5, Ln.. Bregenz 2011

Siblings and Twins.
Kat. Hrsg. v. Melanie Ohnemus, Portikus Frankfurt. Mit Texten v. Doryun Chong, Bart van der Heide & M. Ohnemus. 25x18, 160 S., zahlr. Abb., brosch.. Grafik: Manuel Raeder. Berlin 2010

Asymmetric Equality.
Kat. (Dt./Engl.). Anläßlich der Ausstellung in REDCAT, Los Angeles & Sala Rekalde, Bilbao. Texte von Clara Kim, Doryun Chong, Eungie Joo, Markus Steinweg. 216 S., ca. 250 teils farb. Abb., 25x20, brosch.. Los Angeles, Bilbao 2008

Symmetric Inequality.
Kat. (Engl./Span./Catalan.). Hrsg. v. Sala Rekalde, Bilbao & REDCAT, Los Angeles. Texte von Haegue Yang, Max Andrews, Jie-Hyun Lim u.a.. 352 S., zahlr. Abb., 24,5x19,5, brosch.. Bilbao & Los Angeles 2008

Sa-dong 30.
Kat. (Koreanisch/Engl.). Texte von Hyunjin Kim, Gespräch zwischen Hyunjin Kim, Haegue Yang, Jang Un Kim. 48 S., 32 meist farb. Abb., 28x20, brosch.. Berlin / Seoul 2007 <<<

Unpacking Storage Piece.
Kat. (Dt./Engl.). Interview mit Axel Haubrok und Haegue Yang, Text von Raimar Stange, Buchdesign: Manuel Raeder. 48 S., A 5, schräg gefaltet, Drahtheftg., 38 Abb., Aufl. 800 Exx.. Berlin 2007

Community of Absence.
Limited Edition Posters. Hrsg. v. BAK, Basis voor actuele kunst, Utrecht. Aufl. 100 Exx.. 92 S., 6 Plakate (à 59x42), 29,5x21,
gefaltet & mit starker Pappe stabilisiert. Frankfurt/M. 2007
(Die Edition erscheint zusätzlich zum gleichnamigen Kat. & besteht aus 6 gefalteten Plakaten, die die Grundlage für denselben sind.)

­Community of Absence.
Kat. (Engl.). Hrsg. v. BAK, Basis voor actuele kunst,
Utrecht. Texte v. Maria Hlavajova, Lars Bang Larsen, Binna Choi u.a.. 92 S., zahlr. farb. & s/w Abb., 29,5x21, Fadenheftg.. Frankfurt/Main 2007 <<<

The Pages.
Hrsg. v. Hess. Landesmuseum, Darmstadt. Gestalterische Mitarbeit v. Maureen Mooren & Daniel van der Velden. 252 S., komplett illustriert, 31x22, brosch.. Frankfurt 2004

Industrie und Technik.
Kat. (Dt./Eng.). Text von Anja Casser "Die Möglichkeit steckt im Minimalen oder was sehen wir wirklich?" 48 S., 51 Abb., davon 19 in Farbe, 24,5x21,5, Ppdg.. Frankfurt 2002 <<<

Luft und Wasser.
Kat. (Dt./Engl.). Hrsg. .v. Dresdner Bank, Frankfurt am Main. Text v. Isabel Podeschwa. Design: Wolfgang Breuer & Achim Reichert. 16 S., komplett gestaltet, mit original Offset-bedruckten und eingeklebten Stickern, 29,5x21, Klammerheftg.. Frankfurt/M. 2002 <<<

Spuren anonymer Schülerautoren.
Edition. 16 Offsetdrucke (s/w), 44x31,7, in Mappe, Blatt für Blatt signiert. Auflage 30 num. Exx., Berlin 2001

Eichler, Dominic: Activating Abstraction. In: The National Gallery of Australia: The Annual 2023. Canberra, 2023

Sim, Arthur: Artist Haegue Yang wins Benesse Prize. The Straits Times, October 17, 2022

Andrew Russeth Haegue Yang‘s Radical Art of Obscure Delights,The New York Times, 29 April, 2022

Typhoons Know No Borders. Part 1 of an interview between Haegue Yang & HG Masters on the blog of Art Asia Pacific, March 17, 2021

Typhoons Know No Borders. Part 2 of an interview between Haegue Yang & HG Masters on the blog of Art Asia Pacific, March 18, 2021

Nicholas Stephens Strange Attractors: Haegue Yang Creates Ethereal Creatures and Pays Tribute to St. Ives Artists, CoBo Social, January 13, 2021

Carlos Quijon Jr. Haegue Yang at Museum of Contemporary Art and Design, Manila, Artforum January/February 2021, p. 186 – 187

Kirsty Bell Life‘s Complex, Tate Etc. Magazine, Issue 50, Autumn 2020

Christopher Phillips A Certain Uncertainty in Art in America, April 2020

Zoë Lescaze An Artist Whose Muse Is Loneliness, T – The New York Times Style Magazine, February 26, 2020

Haegue Yang and Stuart Comer The Mystic Landscapes of Haegue Yang, MoMA Magazine, October 25, 2019

Andy Battaglia Be There With Bells On! As MoMA Reopens in New York, Haegue Yang Plots Potent Performance-Installation for Spacious Atrium on: Artnews, October 10, 2019

Sarah Bolwell Haegue Yang in: Burlington Contemporary, May 23, 2019

Nicholas Stephens Haegue Yang: Traces of Birdsong in: COBO, May 8, 2019

Javier Hontario Haegue Yang, la sensorialidad total in: El Cultural, January 11, 2019, p.34-35

Edgar Schmitz Haegue Yang in: Kunstforum, Bd. 260, Graffiti NOW, 2019

Haegue Yang My influences in: Frieze, January/February 2018, p.132-136

Nadine Khali All That Noise in: A Magazine, February 2017, p. 210-215

Lanka Tattersall: Migration Patterns, in Monthly Art, September 2016

HG Masters: Haegue Yang: A Strange Kind of Optimism, in ArtAsiaPacific, 2009

Yasmil Raymond: Haegue Yang, in: Domus, no. 922, February 2009, pp. 124-128

Interview between Haegue Yang and Clara Kim at REDCAT, Los Angeles, Summer 2008

Accommodating the Epic Dispersion, Haegue Yang im Gespräch mit T. J. Demos (deutsch)

Accommodating the Epic Dispersion, Haegue Yang in Conversation with T. J. Demos (english)